A Quarter of a Century.
That is a long
time for most of us. For Taika it was
just a small portion of his training time.
As we approach the 2 year mark of Taika's death, I hear more and more
people talking about returning to the old ways. There are varying definitions I hear of
'old ways' and I'm not quite sure why people are heading down this path. I know, some things are 'comfortable' as
you grew proficient in them years ago.
I believe that is one reason many people quit Taika's art over the
years. It never got easy because Taika kept evolving.
Some things Taika
disposed of as he got older were Bogu Kumite and Makiwara. I've ranted, er blogged, about these in the
past so I won't re-rant on those. I
will address other things Taika got away from.
High kicks. He never, in the last fifteen or more years
kicked above his belt and didn't allow us to do so in class. He felt that the highest point you should
be kicking is the hip. Yes, your
opponent may be a lot taller than you, but in that case you should be kicking
just above his knee on the inside (Femoral Nerve), the outside (Common Peroneal
Nerve), the tendon just below the knee, or the calf (Tibial Nerve). There are other targets below the waist he
commonly struck but never above with the foot and he didn't let us. He also began taking these out of the
kata. I know his kicks were high back
when he was on Okinawa and when he first came here but keep in mind he was
teaching mainly Bogu crazed G.I.'s.
The popular part of the art on the island for the servicemen as well
as those in the states was the tournament fighting, which had rules about kicking
below the belt. AND remember, that was
the 1950's to 1960's. That is TWO
decades or more. That was not where
Taika left his art.
Towards the very
end of Kusanku is a spot where many styles, and even us 25 or more years ago,
did a double jump kick. Taika would
say, in recent years, "This stupid training!" In the years before his death he would have
us slide the back leg up to meet the front leg, then kick with the
right. He said, this back leg was a
hidden step. It had much better real
world value than trying to jump up high in the air. I for one, will not be returning to the
world of nostalgia and jumping up high in the air to kick someone at head
height. Taika always said he would kick
a person in the head, only after dropping them to the ground with another
technique. These high kicks he
considered stupid and dangerous to the kicker.
Videos: Taika's first known film was a 1968 video
filmed during his very short Kansas visit.
A 16mm camera filmed him going through the 12 basic kata and a version
of what most of us call Exercise 1.
The last production series of videos was the 14 tape series known as
Classic Okinawan Arts, filmed between 1990-1991. These tapes are now 23 or more years old. THAT IS THE QUARTER CENTURY I SPEAK OF. Prior to Tasshi Jim Logue's death, Jim attempted to get Taika's permission to release the 1968 video on DVD. Taika didn't want this released while he was alive. He felt that the 42 year old video was NOT
something he wanted people emulating.
Further, he didn't want the then 23 year old Classic Okinawan Arts
videos digitized and sold. Many things
had changed in the basic kata forms shown in these videos, and the 'advanced'
kata in these videos were nothing like what he was showing as 'timing'. He did not want people using these videos
as his standard as he had evolved past these.
His fear was that people would de-evolve. His art, unlike many others, was constantly
changing. He constantly evolved and
got better. Though the 23 year old
videos and the 45 year old videos are wonderful historical snapshots in time,
they are NOT what Taika left us with.
A small smattering
of things in these videos Taika no longer believed in;
·
Stances
o
Horse Stance
§ Heels are out, unlike in any of these videos.
§ Not as wide now as it was then.
o
Forward Stance
§ Heels are out now, unlike in any of the videos.
§ Back leg was almost straight, now more flex
o
Crossover - The
crossover of the feet was with ankle high, now with ankle almost flat on the
ground.
·
Head Position
o
In Naihanchi
Kata, for example, the head turns used to be as far left or right as possible. Now, they are just a 1/2-1" in either
direction. Just enough to pick up the
extra peripheral view.
·
Chambered Hand
o
The hand
chambered before a punch does not come completely to your side because it
makes the shoulder tight and moves the fist more into the opponent's visual
range.
·
Kicks
o
No high kicks
That was just a
few things off the top of my head.
Taika moved on, shouldn't we?
When I hear people
say things like, "We've got to return to this" or "We need to
standardize that" I get nervous.
Taika was always moving forward.
We should not be returning back.
Though the thousands of videos out there are great historical references, we must not go
backwards in our training. We must
continue to move forward. Taika would not want us to go back in time
nor stagnate in this one. If I want to
go back in time, I can go back to those that left the association 10, 20, 30
years ago and train with them. That's
not what he wanted. That's not what I
want. Move along, and stop the stupid
training, as Taika would say.
|
Random thoughts that pop in my head, usually defined more as rants by others.
Monday, April 7, 2014
Time Machine Not Needed
Subscribe to:
Posts (Atom)